Forum is the theme of the poet's work. The theme of the poet and poetry in the lyrics of tyutchev

People are passing by
happiness passes by
inhumans also by -
they will not get tired of running around.

The sky passes by
the sea passes by
the clouds pass with the sun
arguing with each other.

A woman passes by
with a bucket full to the brim,
a boat is passing by
blowing waves along the river.

Spring passes by
winters pass by
children pass by
wives walk by ...

My life is missed
life has passed the meaning ...
What is left to do?
Hide. Disappear. Wash off.

I'm alone again
This is the poet's share
Like a yellow leaf
Among the holidays of Summer.

Like a yellow leaf
Visiting Spring,
I'm lonely again
And my friends are dreams.

I'm alone again
Among the beasts - a man
Like a yellow leaf
Where the snow falls ...

In the village (Thunderstorm)

Hot. It's stuffy. And beyond the river
Lightning flashed a thread.
I am sitting in a hut with a candle.
This summer. Will live.

And the storm is already over the meadow,
Outside the window, the dog began to howl.
The candle goes out. The cat is scared.
This summer. Let live!

Rumbled over the hut,
I try to hide my horror ...
The sky is crying with water.
This summer. Need to live.

Everything. Calmed down. Clean Air -
Do not breathe it, but drink it ...
Crowned vociferous.
This summer. Will live!

Autumn is not a time of sadness ...
Freed from the bonds
Leaves flew from the trees
And fell into a small pond.

Autumn is not a time to be sad
The symphony of rooftops thundered!
This music will lower the sky
To London, Moscow and Paris.

Autumn is not a time of sorrow
All sorrows are carried away by the wind ...
I was told a fairy tale yesterday
And she flew away in the morning.

But I saw how yellow paints
Spilled into the Izmailovsky forest ...
There was a ship from a fairy tale,
And the Southern Cross froze over him.

What am I to do, ship, with you?
The Southern Cross is not from our latitudes ...
Maybe the fairy tale will return in the spring
And will he take you with him?

Say a word for me there,
I'll climb into the ship at night,
I touch the waves with my fingers
And autumn will come - I will return.

I will return under the fallen sky
I will return to Moscow and Paris ...
Even to London, which I have not been,
I'll return to the symphony of rooftops ...

... I wanted to walk along the shore,
That the drops would not stain the trousers ...
I dreamed of discovering my America,
Open, but do not get your hands dirty.

I wanted to walk through life like a rainbow ...
Sweet, carefree, cheerful,
My life would flow like molasses,
And I would not see evil in her ...

I wanted to walk through life in a grove,
A quiet path between the birches ...
I always looked for easier ways,
Paths far from thunderstorms ...

I wanted to walk through life like a rainbow
I wanted to walk along the shore ...
I wanted to please the whole world,
I wanted the world to believe in me ...

And here I stand, abandoned by the world,
Before the beginning of all beginnings ...
I wanted to walk through life in a grove,
Yes, I got lost on the way.

Didn't open my America
I did not write good poetry ...
I wanted to walk along the shore
But life has no shores ...

Hello old friend
Don't hide the traces of the rains ...
Your silly cuckoo
How many days did you count?

Let me kiss you
And catch a funny look.
Send me recklessly
How - do you remember? - eight years ago?

And we'll ride with you
Spinning memories
Just be weird again
After all, as you can see, I am alive again.

After all, I did not die early in the morning,
I didn’t get drunk in my drunken years ...
Do you remember the first date?
Let's go there quickly!

Don't cry looking into the water
About the love that does not exist.
I give you freedom -
I lived with her for eight years.

Count all the days back, cuckoo,
Fold them up and throw them away.
We are young, hey, girlfriend! ..
And a young night with us.

I will hug you, drunk
Do you see how glad the poplar is to us?
Let me kiss you
How - do you remember? - eight years ... ago ...

The clock stopped a year ago
And the time in my life is half past five.
The wondrous Garden of Eden is dreaming more and more often
Less and less often I meet strangers in it.

Lay flowers at the foot of the clock
Those women who wanted to stay
Those women who gave love
When the clock showed twelve

And I drink dewdrops in the garden,
Licking them from sensual buds ...
Let someone's clock strike midnight,
Mine stopped half past six ...

How much time wasted
When the clock ran, passed, flew ...
It's half past six. January second.
Dancing a waltz to the saxophone of a blizzard.

I died somewhere in Kuntsevo,
On the twenty-sixth, in the afternoon,
During the dance of the sad
Bird cherry with rain.

I did not die of hunger
And not from terrible wounds.
From the hate of the city
On the faces of the townspeople.

From the hate of the street
To a broken destiny
The soul is tired of suffering
And hid in herself.

All that's left is despair
That life is so twisted ...
Sister! Let's meet!
And people ... Excuse me?

The article presents a small selection of poems on the theme of poetry and the fate of the poet, and their brief analysis. This collection will help graduates who pass the exam in literature when writing a detailed answer in task 16, where it is necessary to compare the given excerpt from the lyric text with other poems with similar topics and quote them.

Blasphemy pursues him:
He catches the sounds of approval
Not in a sweet murmur of praise,
And in the wild cries of anger ...

Nekrasov's poem is built on an antithesis. The first part is devoted to poets who do not touch on topical, topical topics, do not use satire in their work and, thus, find a large number of admirers of their work: "And his contemporaries are preparing a monument to him during his lifetime ...". The second part of the poem reflects the creative life of the rebel poet, one who writes sharply, sincerely, does not try to please. He remains honest with his readers and, above all, with himself, and in his works he shows the truth of life without embellishment. Despite the fact that such a poet does not find recognition during his lifetime ("And every sound of his speeches breeds harsh enemies for him"), Nekrasov notes that after his death, great works will be understood and appreciated even by those who previously criticized them. Thus, the author of the poem reflects the following point of view: a genius poet is the person who is not afraid to express his civic position in poems, is not afraid to be misunderstood and does not strive for fame, and who sees the meaning of his life in the ability to speak through his work.

Mayakovsky "An extraordinary adventure ..."

I will pour my sun
and you are yours
poetry.

The author depicts the dialogue between the poet and the sun, thereby, as it were, likening the person who creates the poem to the luminary shedding light on the earth. The poet, just like a star, dispels darkness, but only does it in the soul of each individual reader. Mayakovsky's message is important: it is necessary to work hard and hard, and then ghosts can become for people the very sunlight that warms and illuminates the path of life:

Always shine, shine everywhere
until the last days of the bottom,
shine - and no nails!
This is my slogan and the sun!

Tvardovsky "The whole point is in one single covenant ..."

I am concerned about one thing during my life:
That I know better than anyone else in the world
I want to say. And the way I want.

In most of his poems, Tvardovsky urges people to always be honest, to say only what they think. He portrayed contemporary life and a Russian person with an open soul. The lyrical work "The whole point is in one single testament ..." was no exception, but here Tvardovsky draws attention to the special purpose of the poet. The only purpose of creativity for him is the expression of thoughts and feelings through his lines. The creator must speak openly and directly, without lies and falsehood - this is the only possible condition for the existence of art. The work is constructed as a monologue-declaration, that is, as a proclamation of one's truth, which for a lyrical hero is an indisputable truth.

Pushkin "Poet"

But only a divine verb
He touches the ear for the sensitive,
The poet's soul will stir
Like an awakened eagle.

In Pushkin's view, the poet is a sublime, heavenly creature - this is how Alexander Sergeevich describes him in his works. Therefore, at the beginning of the poem, the life of the creator is reflected in the everyday world, in which there is no place for lofty ideas and dreams. He suffocates and feels worthless, being a part of this routine and prosaic life: "And among the children of the insignificant of the world, perhaps he is the most insignificant of all." The second half of the poem is devoted to the very moment of creativity, when a muse comes to the poet and he becomes not involved in the world of ordinary people. The author emphasizes that a creative person cannot live without inspiration, only in his presence he becomes truly free and happy, the usual earthly life is alien to him. And it is at the moment of creating his works that he can be alone with his art.

Balmont "Higher, Higher"

Higher, higher, everything is behind me,
Enjoy the height
Fall into my net
I sing, I sing, I sing.

In the poem "Higher, Higher" Balmont described the creative process. He portrays the poet as a creator, a creator who touches the soul of everyone who reads his poem: "I touched the souls of others, like strings, but my strings." Another image that Balmont's metaphor pushes us to is the lyricist as a musician who, with the help of words, creates a piece that plays on the strings of the human soul. The poem can also be viewed as the process of reading this work: "With the trembling of the sonorous wings, he bewildered, intoxicated." Indeed, with each line you read, you immerse yourself more and more in the artistic world of Balmont and unconsciously become a part of it yourself.

Interesting? Keep it on your wall!

Krasichkova Olga

The famous poet of the early 20th century A.A. The bloc witnessed major historical events: the revolution of 1905, the February and Great October revolutions. These important points were reflected in his poetry, first of all, in the poem "The Twelve", which became the result of A.A. Blok about the revolution, the highest stage of his work.

The action of the poem takes place against the background of a raging nature: “a snowy whirlwind has risen,” “a blizzard was singing in the distance,” “a blizzard was dusting,” “wind, wind — in all God's light!”, “Something blizzard was playing out”. Through these symbolic images of the purifying element, the poet conveys the revolutionary storm that gripped the country: the element of wind cannot be controlled , as well as you cannot control the revolution.

The central theme of the work is the clash of two contrasting masses, "black and white bone", old and new Russia. Opposite colors accentuate their fierce opposition. White symbolizes the new, light, and black - the outgoing, unnecessary ("Black evening. White snow"). The surrounding reality seemed to Blok as a terrible world that had to be destroyed. In the poem, the denial of this world manifested itself in the satirical depiction of the bourgeoisie, which does not accept change, hiding from the revolution: “The bourgeois is standing at the crossroads And hid his nose in his collar,” “the lady in the karakul” “turned up to another:“ We were crying, we were crying ... "," The priest is now cheerful "-" by the side behind the snowdrift "," Long hair and speaks in an undertone ... Must be a writer-whimsy ... ". The natural element treats all representatives mercilessly: knocks them off their feet, tears their clothes, pushes them into a snowdrift, they do not know where to go. So Blok shows his negative attitude towards them. He compares the old world to a hungry, rootless dog, doomed to perish. According to the poet, to move on, you need to give it up. Therefore, the poet accepted the 1917 revolution as a phenomenon that regenerates and transforms society. Posters, flags with revolutionary slogans, the author depicts as a sign of serious political changes. At the same time, the poet emphasizes all the temporality and futility of this fuss: next to these posters, ordinary people, like an old woman who « no way will not understand what it means. "

However, with all the welcome to the revolution, faith in its cleansing power (“We will inflame the world fire in woe to all the bourgeoisie”), Blok also portrayed its terrible side: cruelty, lawlessness, complete devaluation of human life, the concepts of morality. The Red Guards are fighting for a just cause, but they are seized by a feeling of permissiveness: “ Lock the floors There will be robberies today!”,“ Freedom, freedom, eh, eh, without a cross! ”. Because of the revolution, faith in God was lost (“Why did the golden iconostasis save you?”). In the scene of Katka's murder, the author kills the ridiculous, uneducated past, shows that the revolutionary element cannot do without bloodshed. Russia is gripped by a rampant dark passions and permissiveness, but Blok believes that through chaos, darkness and harshness, the country can come to light. The desire to raise and strengthen the revolution is associated with the comparison of the twelve Red Guards with the twelve apostles and the appearance in the poem of the image of Christ with the "bloody flag" who stood at the head of the revolution, leading his disciples. Only he can save the world, cleanse it from within, lead to the holy and beautiful. The Red Guards shoot at him, but still follow the path indicated by him.

The theme of the revolution in the work of A.A. The bloc is ambiguous. In the poem "The Twelve" the poet, although he accepts the revolution as a struggle for freedom, is worried about the future, fears the horrors that are taking place, the loss of moral guidelines, the victory of evil in the souls of people. However, he hopes that the bright beginning will triumph and the revolution will not only destroy the old world, but will also be able to build a new, bright and clean one.

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The peculiarity of the sound of the revolutionary theme in the poetry of A.A. Block.

The famous poet of the early 20th century A.A. The bloc witnessed major historical events: the revolution of 1905, the February and Great October revolutions. These important points were reflected in his poetry, first of all, in the poem "The Twelve", which became the result of A.A. Blok about the revolution, the highest stage of his work.

The action of the poem takes place against the backdrop of a raging nature:"A snowy whirlwind rose," "a blizzard was singing in the distance", "The blizzard is dusting", "the wind, the wind - all over the world!" Through these symbolic images of the purifying element, the poet conveys the revolutionary storm that gripped the country: the element of wind cannot be controlled, as well as you cannot control the revolution.

The central theme of the work is the clash of two contrasting masses, "black and white bone", old and new Russia. Opposite colors accentuate their fierce opposition. White symbolizes the new, light, and black - the outgoing, unnecessary ("Black evening. White snow"). The surrounding reality seemed to Blok as a terrible world that had to be destroyed. In the poem, the denial of this world manifested itself in a satirical depiction of the bourgeoisie, not accepting change, hiding from the revolution:“There is a bourgeois at the crossroads And hid his nose in the collar”, “the lady in astrakhan” “turned up to another:“ We were crying, crying ... ”,“ the priest is cheerful now ”-“ with the side behind the snowdrift ”,“ Long hair and says in an undertone ... Must be a writer of whimsy ... ".The natural element treats all representatives mercilessly: knocks them off their feet, tears their clothes, pushes them into a snowdrift, they do not know where to go.So Blok shows his negative attitude towards them. He compares the old world to a hungry, rootless dog, doomed to perish.According to the poet, tomove on, you need to give it up.Therefore, the poet accepted the 1917 revolution as a phenomenon that regenerates and transforms society.Posters, flags with revolutionary slogans, the author depicts as a sign of serious political changes. At the same time, the poet emphasizes all the temporality and futility of this fuss: next to these posters, ordinary people, like an old woman who" no way will not understand what it means ".

However, with all the welcome to the revolution, faith in its cleansing power (“We will inflame the world fire in woe to all the bourgeoisie”), Blok also portrayed its terrible side: cruelty, lawlessness, complete devaluation of human life, concepts of morality. The Red Guards are fighting for a just cause, but they are overwhelmed by a feeling of permissiveness: "Lock the floors, now there will be robberies!""Freedom, freedom, eh, eh, without a cross!" Because of the revolution, faith in God was lost (“Why did the golden iconostasis save you?”).In the scene of Katka's murder, the author kills the ridiculous, uneducated past, shows that the revolutionary element cannot do without bloodshed. Russia is gripped by a rampant dark passions and permissiveness, but Blok believes that through chaos, darkness and harshness, the country can come to light. The desire to raise and strengthen the revolution is associated with the comparison of the twelve Red Guards with the twelve apostles and the appearance in the poem of the image of Christ with the "bloody flag" who stood at the head of the revolution, leading his disciples. Only he can save the world, cleanse it from within, lead to the holy and beautiful. The Red Guards shoot at him, but still follow the path indicated by him.

The theme of the revolution in the work of A.A. The bloc is ambiguous. In the poem "The Twelve" the poet, although he accepts the revolution as a struggle for freedom, is worried about the future, fears the horrors that are taking place, the loss of moral guidelines, the victory of evil in the souls of people. However, he hopes that the bright beginning will triumph and the revolution will not only destroy the old world, but also be able to build a new, bright and clean.

On the one hand, of course, it would be for the best. ;) But on the other:
1 - on the sites of poetry (where there is only creativity), more interested people, they are eager to write and read, evaluate other poems, other authors. And here is a forum about everything in the world, and I doubt that there will be a strong interest in communication and in other people's author's topics. There will, of course, be such people, but only a few.
2 - will create author's themes, and few people will look into the general sections (a person prefers when he is assessed more individually, but in the general sections it will turn out on a par with everyone)
3 - it's good if most of the author's themes develop and constantly replenish with new verses, as, for example, in Sonik "a, Izyaki. And if we imagine that after some time there will be 30 themes and 20 of them will contain approximately 1-5 verses . And it will be a pity to delete and offend not in the plans.: No

Well, that's me, I think. But, in general, everything can be done if you come up with a mechanism in which everything will function effectively.
But if you combine, then 1 - after some time (when there is a suitable number of topics), you will have to create a section * author's topics *, otherwise everything will mix into a heap. AND 2 - It is necessary to think over certain conditions, such as * agreements * (who wants to create their own topic, must agree to a certain number of verses and the development of the topic, otherwise the topics will be deleted or combined with those already created).

This is how I correlated everything, you, too, analyze the pros and cons (you and Alex) and make a general decision.

Wow, it struck me on * literature * before the new year. : ohmy

Many famous writers have addressed the problem of creativity. The theme of poet and poetry in Pushkin's lyrics, for example, occupies a fairly large place. He speaks of her special role, high destiny in many of his poems. Here are just a few of them: "Desert Sower of Freedom" (written in 1823), "Prophet" (in 1826), "Poet" (in 1827), "Echo" (in 1831), "Monument" (in 1836).

What did Pushkin understand by poetry?

Poetry is a responsible and difficult business, says Alexander Sergeevich. The poet differs from ordinary people in that it is given to him to hear, see, understand what an ordinary person does not hear, does not see and does not understand. The author influences his soul with his gift, since he is able to "burn with a verb" human hearts. But poetic talent is not just a gift, but also a great responsibility and a heavy burden. Therefore, the theme of the poet and poetry in Pushkin's lyrics deserves special attention.

Influence of poetry on people

Its influence on people is very great, therefore the poet himself should be an example of civil behavior, fighting against social injustice and showing firmness in this struggle. He must become a discerning judge not only in relation to others, but above all to himself. Genuine poetry, according to Pushkin, should be life-affirming, humane, awaken humanism and kindness. In the above poems, Pushkin talks about the difficult relationship of the poet with the people and the authorities, about the freedom of creativity.

"Prophet"

In secondary school, the theme of the poet and poetry in the lyrics of Pushkin is examined in detail. A lesson in grade 9 is necessarily dedicated to this poem. The prophet is, according to Alexander Sergeevich, the ideal image of a real poet in his highest vocation and essence. This poem was created in 1826 - a difficult time for the poet of his spiritual crisis, which was caused by the news of the execution of the Decembrists. This work reveals in detail the theme of the poet and poetry in the lyrics of Pushkin.

Alexander Sergeevich refers to the book of the prophet Isaiah. He was also in despair, watching the world, seeing that it was mired in vices and lawlessness. For a true creator, everyday content that fills the minds and hearts of people should become a gloomy desert ... He seeks spiritual satisfaction and strives for it. Nothing more on his part is required, since those who are thirsty and hungry will certainly be satisfied.

The poet-prophet penetrated into the life of a lower and higher nature, heard and contemplated everything that happens in the world, from the flight of angels to the course of reptiles, from the rotation of the heavens to the vegetation of earthly plants. He who has received his sight in order to see all the beauty of the world painfully feels the ugliness of reality in which people live. And he must and will fight it. The poet's weapon and action is the word of truth. But in order for it not to sting, namely to burn the heart, it is necessary that the sting of wisdom be kindled with the fire of great love. In addition to the image from the Bible, the last act of God's messenger is taken from it:

"And coal blazing with fire,
I put it in my chest. "

Belongs to the Bible and the general tone of this poem, sublime and imperturbably dignified. The absence of subordinate clauses and logical unions under the rule of one union - "and" (it is repeated twenty times in thirty verses), according to V. Solovyov, brings Pushkin's language closer to the biblical one.

In The Prophet, the lyric hero of the poem does not feel defiled by the lawlessness that is happening in society, but he is not indifferent to what is happening around him, although he cannot change anything.

"During hours of fun ..."

The considered work is not limited to the theme of the poet and poetry in the lyrics of Pushkin. Poems dedicated to her are numerous. So, some features, echoes of the "Prophet" can be found in the later creation of Alexander Sergeevich "In the hours of fun ...". It was written in 1830. The theme of the poet and poetry in Pushkin's lyrics sounds a little different here. In it, the spiritual transformation of the author echoes the transformation of the prophet, physical and moral, which occurs after he was scorched in the crucible of human suffering.

Pushkin's whole life was a vivid evidence that his thoughts are correct. His free, bold poetry protested against the slave oppression of the people, called for the struggle for the liberation of people. She supported the strength of spirit of the exiled friends of the Decembrists of Pushkin, instilled in them fortitude and courage.

"Arion"

The theme of poet and poetry in Pushkin's lyrics is very multifaceted. Let us briefly describe the following poem - "Arion", created in 1827. It talks about the need for courage and endurance. The poem in allegorical form recreates the tragic events of 1825.

Despite the fact that the "swimmers-Decembrists" died, the singer Arion remained faithful to the noble mission, continuing to preach the ideals of justice and freedom. He declares: "I sing the old hymns."

In the later poems of Alexander Sergeevich, thoughts often begin to sound about the meaning of human life, its frailty, transience, there is a presentiment of the poet's imminent death. At this time, Pushkin, as it were, summarizes his creative activity, trying to objectively assess the significance of his heritage.

"Monument"

In the last years of his life and work, the theme of the poet and poetry continues to sound in the lyrics of Pushkin. Poems dedicated to her are invariably distinguished by a sublime style. So, in the poem "Monument", written in 1836, the poet refers to the ancient heritage, because this work is a free translation of one of Horace's odes. Pushkin expresses his confidence that he will remain alive in the memory of the people. This right is given to him by the created "not made by hands" monument, which he erected to himself, since he has always been a prophet, the voice of the Russian people.

In this poem, Pushkin succinctly and succinctly speaks about the purpose and meaning of his poetry, seeing the main merit of his personality in the fact that as a poet-prophet he awakened mercy, kindness, the desire for justice and freedom in people. Having come into contact with Pushkin's poetry, we begin to feel the desire to become cleaner, better, we learn to see the harmony and beauty around. Hence, poetry can truly transform the world.

The ending of the poem is a traditional appeal to the muse, who must obey the command of God, that is, the voice of truth, and, regardless of the opinion of "ignorant fools", follow the goal.

Alexander Sergeevich in many poems raised the theme of the great poet's loneliness among the indifferent crowd. A vivid example of this is the poem "To the Poet". Pushkin urges to remain firm, calm and gloomy in the face of the crowd and the judgment of a fool.

"Conversation of a bookseller with a poet"

In another work, A Conversation between a Bookseller and a Poet (1824), there is a similar appeal when the author reflects on fame.

During the period when this poem was written, the poet parted with romanticism, his transition to harsh realism. It was written on the topic of literary creativity, which was relevant at that time, as a way to make a living, as a profession. These questions worried the author, since he was one of the first to live on his literary earnings.

Here, from an atypical point of view, the theme of the poet and poetry in the lyrics of Pushkin is illuminated. The summary of the poem is as follows. It talks about the duel between the poet and the bookseller, the romantic and the pragmatist. In the dialogue of the two heroes, "poetry" and "prose" are contrasted in the meaning of romantic, "sublime" ideas and "prosaic", sober perception of life. It ends with a victory for the bookseller. The poet switches to the language of the deal, and the poetic speech is replaced by prose.

"From Pindemonti"

One should not think that Pushkin considered himself superior to other people when he spoke of "fools" and "ignorant". He only emphasized that his judgments are independent, that he has the right to go where the "free mind" attracts him. Here Alexander Sergeevich speaks unambiguously. The poem "From Pindemonti", written in 1836, says that being free means not identifying with any of the social groups, not participating in social unrest, not depending on the king.

The muse of Alexander Sergeevich Pushkin courageously and devotedly served beauty, freedom, justice, goodness. Is this not the role and essence of true poetry?

The school studies in some detail the theme of the poet and poetry in the lyrics of Pushkin (grade 10). For more detailed information, you can refer to any textbook on Russian literature.

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